{"id":855,"date":"2018-03-07T15:44:54","date_gmt":"2018-03-07T15:44:54","guid":{"rendered":"http:\/\/inevanoeveren.com\/Site\/wordpress\/?page_id=855"},"modified":"2024-07-05T10:55:08","modified_gmt":"2024-07-05T10:55:08","slug":"writings","status":"publish","type":"page","link":"http:\/\/inevanoeveren.com\/Site\/wordpress\/?page_id=855","title":{"rendered":"PUBLICATIONS"},"content":{"rendered":"\n<div class=\"wp-block-group is-vertical is-content-justification-center is-layout-flex wp-container-core-group-is-layout-1 wp-block-group-is-layout-flex\">\n<h2 class=\"wp-block-heading has-text-align-center is-style-asterisk\">Academic Writings<\/h2>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-1\"><\/div>\n\n\n\n<p class=\"has-text-align-center\">Please find below a list of published papers and books.<\/p>\n<\/div>\n\n\n\n<div style=\"margin-top:0;margin-bottom:0;height:var(--wp--preset--spacing--40)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-1 wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading has-text-align-left is-style-asterisk has-body-font-family has-medium-font-size\" style=\"font-style:normal;font-weight:600\"><a href=\"https:\/\/escholarship.org\/uc\/item\/4sc6x6h2\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Confined walls of unity: the reciprocal relation between notation and interpretation in the oeuvre for flute solo by Brian Ferneyhough<\/em><\/a>. <\/h3>\n\n\n\n<p class=\"has-text-align-left\">Doctoral dissertation<br>ProQuest ID:&nbsp;Vanoeveren_ucsd_0033D_15758<br><a href=\"http:\/\/dissertations.umi.com\/ucsd:15758\">http:\/\/dissertations.umi.com\/ucsd:15758<\/a><br>Merritt ID:&nbsp;ark:\/13030\/m5zs7j5h<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-2 wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading has-text-align-left is-style-asterisk has-body-font-family has-medium-font-size\" style=\"font-style:normal;font-weight:600\"><a href=\"http:\/\/www.forum-online.be\/nummers\/lente-2018\/cassandra-s-dream-song\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Cassandra&#8217;s Dream Song &#8211; Let&#8217;s (not) talk about gender<\/em><\/a>.<\/h3>\n\n\n\n<p class=\"has-text-align-left\">In <em>Forum+<\/em>. Antwerp, Belgium, Vol. 25, N\u00b0 1, 2018, p. 32-39<br>ISSN 0779-7397<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-3 wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading has-text-align-left is-style-asterisk has-body-font-family has-medium-font-size\" style=\"font-style:normal;font-weight:600\"><a href=\"https:\/\/proa.ua.pt\/index.php\/impar\/article\/view\/898\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Cassandra&#8217;s Dream Song &#8211; Let&#8217;s (not) talk about gender<\/em><\/a>. <\/h3>\n\n\n\n<p class=\"has-text-align-left\">In <em>\u00cdMPAR Online journal for artistic research in music<\/em>. Aveiro, Portugal, Vol. 2, N\u00ba 2, 2018, p.19-29.<br>ISSN 2184-1993<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--20)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-4 wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading has-text-align-left is-style-asterisk has-body-font-family has-medium-font-size\" style=\"font-style:normal;font-weight:600\"><a href=\"http:\/\/inevanoeveren.com\/Site\/wordpress\/?page_id=955\" target=\"_blank\" rel=\"noopener\"><em>Tomorrow&#8217;s Music in Practice Today: a practical guide towards deciphering contemporary music<\/em><\/a>.<\/h3>\n\n\n\n<p class=\"has-text-align-left\">ASP editions\/UPA, 2018, Antwerp, Belgium. <br>SBN: 9789057188404<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-5 wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading has-text-align-left is-style-asterisk has-body-font-family has-medium-font-size\" style=\"font-style:normal;font-weight:600\"><a href=\"https:\/\/dl.acm.org\/doi\/fullHtml\/10.1145\/3490149.3507785\"><em>Empty Mind: an exploration towards an autonomous digital experience and aesthetics within a virtual live performance<\/em><\/a>.<\/h3>\n\n\n\n<p class=\"has-text-align-left\">Timmerman, K.; Vanoeveren, I.<br>In <em>Sixteenth International Conference on Tangible, Embedded and Embodied Interaction<\/em> (TEI &#8217;22). Association for Computing Machinery, New York, NY, USA, Article 82, 1-6, 2022.<br><strong>DOI:&nbsp;<\/strong><a href=\"https:\/\/doi.org\/10.1145\/3490149.3507785\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.1145\/3490149.3507785<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-6 wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading has-text-align-left is-style-asterisk has-body-font-family has-medium-font-size\" style=\"font-style:normal;font-weight:600\"><em>Breaking the fifth wall: on creating a sense of wonder with(in) mixed realities through XR performance, creative AI, and embodying virtual identities. An encounter in VRChat: Anneleen Swillen and Guus Vandeweerd in conversation with Ine Vanoeveren.&nbsp;<\/em><\/h3>\n\n\n\n<p class=\"has-text-align-left\">Swillen, A.; Vandeweerd, G.; Vanoeveren, I.<br>International Journal of Performance Arts and Digital Media, 1\u201317. <br><strong>DOI:<\/strong> <a href=\"https:\/\/doi.org\/10.1080\/14794713.2024.2348985\">https:\/\/doi.org\/10.1080\/14794713.2024.2348985<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Academic Writings Please find below a list of published papers and books. Confined walls of unity: the reciprocal relation between notation and interpretation in the oeuvre for flute solo by Brian Ferneyhough. Doctoral dissertationProQuest ID:&nbsp;Vanoeveren_ucsd_0033D_15758http:\/\/dissertations.umi.com\/ucsd:15758Merritt ID:&nbsp;ark:\/13030\/m5zs7j5h Cassandra&#8217;s Dream Song &#8211; Let&#8217;s (not) talk about gender. In Forum+. Antwerp, Belgium, Vol. 25, N\u00b0 1, 2018, p. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/inevanoeveren.com\/Site\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/855"}],"collection":[{"href":"http:\/\/inevanoeveren.com\/Site\/wordpress\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/inevanoeveren.com\/Site\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/inevanoeveren.com\/Site\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/inevanoeveren.com\/Site\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=855"}],"version-history":[{"count":18,"href":"http:\/\/inevanoeveren.com\/Site\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/855\/revisions"}],"predecessor-version":[{"id":1805,"href":"http:\/\/inevanoeveren.com\/Site\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/855\/revisions\/1805"}],"wp:attachment":[{"href":"http:\/\/inevanoeveren.com\/Site\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}