Corporeality and embodiment in contemporary performance

In this lecture, composer Fernanda Navarro and I, talk about the importance of corporeality, physicality and embodiment in contemporary performance.
During our collaboration we researched the possibilities of incorporating a physical aspect into the score. This resulted in Through for flute/bass flute solo (2015), a piece with a strong emphasis on physical engagement.

Key words of this lecture are communication, extra-musical dimension, rawness, non-neutrality, intensity and integrity. Embodiment in performance can be divided in several sub-categories: effort, endurance, technique and limits.

Discomfort with a purpose is not torture

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